1917 (2019)

I really wanted to give this film five stars, but there is a curious introspection that prevents me from calling it perfection. Nevertheless, ‘1917’ is a brilliant piece of art, and clearly a personal project for Sam Mendes. Blending groundbreaking technology with detailed production components, it's sure to entertain audiences and garner respect from critics for its execution. Just don’t say I didn’t warn you when the Oscar nominations come out. - Charlie David Page Read Charli...

Without a doubt, cinematically this is a visual tour de force. The one-shot approach becomes a distraction, at times, especially when one ponders "how did they do that?", but generally not enough to take away the wow factor. The story, and dialogue, not to mention logic are the real problems that take this movie from great, to merely good. The initial concept of sending two men on an imperitive mission to save 1600 men is ludicrous in itself, especially in a war where men were ga...

Finally yesterday I was able to experience 1917 and I ended up doing it at IMAX, something I didn't plan on, but after seeing it there, I can say this film deserves to be seen and heard in an IMAX room to remember why movies still need to be lived on a big screen. The visual odyssey of Sam Mendes and Roger Deakins is an incredible journey. Yes, the story is very thin but that's something that made 1917 a somewhat different film It's not a war epic, nor does it try to be one. I...

**_Although partly a technical showcase rather than a story, it's still a terrific Great War movie_** >_In the newspapers you read: "Peacefully they rest on the spot where they have bled and suffered, while the guns roar over their graves, taking vengeance for their heroic death". And it doesn't occur to anybody that the enemy is also firing; that the shells plunge into the hero's grave; that his bones are mingled with the filth which they scatter to the four winds...

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Let me just take a deep breath... Wait, one more... Uff, I have no idea how I survived this IMAX screening of 1917. Usually, I don't delve deep into technical stuff since most people don't know or don't care about these attributes, but it's impossible not to address Roger Deakins' cinematography. It's not the first time a film has been edited to appear as "one s...