Thunderbolts* (2025)

Directed by Jake Schreier (Netflix’s Beef, Showtime’s Kidding) and written by Eric Pearson (Transformers One, Black Widow) and Joanna Calo (The Bear, Bojack Horseman), Thunderbolts* documents the emptiness surrounding Yelena Belova (Florence Pugh) as she goes through the motions while working for the Ox Group led by Valentina Allegra de Fontaine (Julia Louis-Dreyfus). Yelena still hasn’t recovered from Natasha/Black Widow’s death and is sick of killing people and doing villainous task...

Thunderbolts genuinely surprised me. I went in expecting a fun Marvel team up but got something even better: a fresh story, fantastic humor, and well-rounded characters that made it stand out in the MCU. The Vault escape sequence was funny and memorable, capturing the chaotic spirit and humorous banter between the team. Valentina Allegra de Fontaine makes a standout villain, she was clever, cunning, and convincingly evil. The character dynamics were great. Yelena Belova anchors the film em...

FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/thunderbolts-movie-review-a-refreshing-character-driven-detour-from-multiversal-chaos/ "Thunderbolts* is an exceptional superhero movie precisely because it focuses on a deep exploration of human fragility. Prioritizing its broken protagonists' internal struggles over pure audiovisual spectacle shows a rare maturity in a franchise often criticized for sacrificing substance in favor of generic scale. This bold approach all...

I wasn't really interested in seeing it, but I was interested in taking my wife to a movie for date night, so we did it and... ... nothing in the movie made us really interested in the movie we were watching. A lot happens that the plot demands happen. There's a lot of conveniences that are nicely peppered throughout the film that the protagonists can use because it's necessary for the plot. I get the the feeling that the characters are from other Marvel shows, most of whi...

Superheroes are supposed to be special, gifted individuals, so it logically follows that movies about them should be equally special. However, as has become all too apparent in recent years, that quality has been steadily eroding in these films due to oversaturation in the cinematic marketplace, a circumstance that naturally begs the question, how special (i.e., how different or distinguished) can they really be when there are so many of them? Sadly, that's the key issue weighing down this ...